YOU M U S T SEE THIS MOVIE…

There were tons of things I might’ve written a word or two about this week; from the news or the papers. But then I went to the cinema to watch a certain film yesterday; and, frankly, nothing else in the world is more significant to me right now as a subject matter. You probably haven’t seen it yet, and most of you probably aren’t even intending to see it; but, to my mind, ‘Fourth Kind’ is not only the most important film of this year, but one of the most important releases of all time. You MUST watch this film…

The film, starring the beautiful Mila Jovovich, is a mixture of dramatisation and real-life video and audio recordings. The effect of this is more compelling than anything I’ve seen in a long time. I don’t want to give the whole thing away, so I won’t go into all the details here, but the (true) story is about a Professor Abigail Tyler; a proffessional psychiatrist who discovers that she, along with a number of her patients, is being tormented and abducted by anomalous/alien/demonic entities in her sleep.

This movie is not about an idea or a theory or a claim; it is about the EVIDENCE. And the evidence on-film here is beyond contention; real-life video footage of patients breaking down under hypnosis; real-life video footage of Mrs Tyler, as well as one of her patients, being possessed, forcibly levitated and having NON-HUMAN INTELLIGENCES speak through them; real-life audio recordings of NON-HUMAN ENTITIES speaking in another language; and real-life video footage of one of the patients shooting dead his wife and children before shooting himself.

The real-life footage in the film is extremely disturbing and upsetting. It will shake you; but that, I believe, is a necessary effect in order to make people take the matter seriously and to have people realise that these are/were real people, with real lives, and that these were real experiences. That’s why this movie is so powerful – had it been entirely acting and dramatic interpretation of the story, the effect would be lost; it’d be just another supernatural thriller. But the intercutting of real material serves to maintain the reminder that these aren’t fictional events.

This woman is confined to a wheelchair and is mentally unstable – on account of her experiences. She suffered a broken neck from her experience. Her husband shot himself. One of her patients murdered his entire family and then killed himself. Another of her patients had his spine severed and neck snapped and was crippled for life. Her blind, seven-year old daughter (who she maintains was abducted by the alien entities) has been missing for almost a decade, without trace. Multitudes of people WITNESSED the UFO that she claims took her daughter (audio recordings of all of these eye-witness accounts are included in the film, during the end titles). A police officer witnessed the UFO above their very house at the very moment the girl went missing. This is not some mad conspiracy theorist in the wildnerness, or some attention seeking charlatan trying to sell a story.

I have personally been well-versed in the subjects of UFOs, alien abduction claims, and the paranormal in general, for a long time, and I’ve had the sh*t scared out of me a few times before from things I’ve seen or read – but NOTHING has hit me as hard as the footage in this move has. If the scenario depicted in this documentary/film is genuine – and you WILL leave the cinema overwhelmingly convinced that it IS – then it is the most significant, most important cinema release of my lifetime. For, what it does is to expose to a broader audience a horrifying, profound, and remarkably widespread phenomena that has largely been limited to the fringes of public consciousness. People – and the mainstream media – still sneer at, or even laugh at, people claiming to suffer supernatural torments and afflictions, and more often than not treat the subject as a joke, or as something unworthy of proper coverage. It is admittedly unlikely that this film will change that; but if it doesn’t make a big impact in that direction, that in itself only exposes the imbalance and injustice of the mainstream.

I have always wondered why (aside from the classic theory of a mass cover-up) why the mainstream media shies away from this area, given that it is indisputably an issue important to a great many people (and victims), and given that the various implications of the subject are of such importance to humanity, to society, to religion, to science, and to the world itself. If anyone watches this film without being disturbed, emotionally affected, and – most of all – convinced that there is something very, very important and very serious going on outside of the radar of common knowledge, then frankly there is something wrong with you as a human being.

It’s probably unlikely that ‘Fourth Kind’ will be a major commercial success (even with Mila Jovovic in it); but I doubt that was the primary reason it was made. This film is not entertainment. It doesn’t have special effects or massive stars or anything of the sort. It does, however, have a genuinely powerful emotional content, and it does convey a story that has enormous implications for the entire human race, this world, and both the past and the future.

On a technical level, the film’s combination of dramatisation and real-life footage/recordings (which includes a lot of split-screen editing) is very effectively done and works well. The movie is never overwrought, it never tries to be clever. This really isn’t about clever tricks or editing. It isn’t glossy, it isn’t Hollywood. The direction and production is very understated. The most striking parts of the film are not in the dramatised reconstructions but in the real-world footage. Although, for the record, Mila Jovovic (the most criminally underrated actress of the passed fifteen years) really does provide a first-class performance here.

However, the genuinely compelling figure in this whole thing is Abigail Tyler herself, during the real footage of her being interviewed. She looks like the most tortured, haunted and afflicted woman you’ll ever have seen in your life.

So please do go and see this movie. Not for entertainment, and not even to be scared. But for the effect it might have on your thoughts and your mind. And because the woman (and her lost family) whose experiences are depicted in this movie deserve to have as many people as possbile be aware of what may ‘have been through.

And if the whole thing IS fake, as some people are saying, at the very least it is grounded in real life stories and claims, of  which there has been many over the passed decades…

We Really Need to Talk About Kevin

He’s back. I saw him yesterday exiting the recycling bin. I was under the impression that we’d reached a truce, apparently I was, wrong.

I pulled a few boxes out from under my bed and searched for the mouse trap, but it wasn’t there. He’d hidden it, the sly little bastard.

He’s grown as well, he’s bigger, stronger and more intelligent than ever before. I thought it was an otter at first, but when it turned and looked me in the eye there was no doubt in my mind that Kevin had come back to finish me off. We have a turbulent history, and it has got to a stage now where it has to stop, it really is me or him.

Mouse traps seem to have changed, you shouldn’t mess with a design classic, but that’s what they’ve done. It’s all black plastic and random bars now. Still, as long as they execute rodents, hey… There’s an army surplus shop near me that also stock hunting and fishing gear. I’m not entirely sure which of these categories samurai swords fall under, but there must be a market for them in East London. Finally decided to stick with the trap.

Night One.

I baited the trap with a chunk of one of Liams biscuits, put it beside the washing machine and screamed “TIME FOR DESSERT YOU FURRY FUCK!” before retiring to bed.
On inspection in the morning it appears that Kevin managed to feast on short bread without setting off the “new and improved” mouse trap. Although it could have been Liam.

Night Two.

This time I used a smaller piece of bait from the tip of my bacon and cheese crassoint, and I pushed it further back, so that Kevin would have to really get in there. I then screamed “HERE’S SOME LOVELY FRENCH FOOD FOR YOU ARSE HOLE!” before retiring to bed.
During the night however, he once again managed to outsmart me and get another free meal without tripping the death mechanism.

Night three.

My tactics needed to be revised. I set the trap in the same place, but stuck a blob of moist peanut butter right in the middle of the platform. I then screamed “BREAKFAST’S READY YOU THIEVING SHIT BAG!” before retiring to bed.
I was just dropping off to sleep when I heard him scuttling about in my goddamn room! Now, I don’t keep any food whatsoever in there, so he was obviously just taking the piss and showing off. I tried to ignore him and go to sleep, I really tried, but I couldn’t rest with him in the same room. And the noise was getting more and more regular. I eventually reasoned that Che never won his battles by going to sleep, and turned the light on.
What I saw was the tail and rear legs of a mouse jammed under the door, trying to free itself. I sat and thought about the best way to deal with this, and then plucked him out by his tail and headed for the front door. It turned out not to be Kevin as it was much smaller, probably his sidekick. Fortunately there was nobody out on the street at that time, or they would have seen me stepping out in my superman briefs and a wife-beater vest with a live mouse in my hand. I threw it like a cricket ball and watched it bounce and run off somewhere.

I then went back to bed, but was pretty pumped up with adrenaline so didn’t sleep too well.
In the morning I was even more surprised to see that the REAL Kevin was attached to the mouse trap with his skull caved in and a surprised look on his little face.

Should any of you wish to pay your respects, you will find him buried in my back garden, six feet deep. The hole is filled in with concrete, and on top sits a brass plaque that reads “DANCE HERE”.
HJ

trap

No World Cup for Ireland, and No Irish Friends for Henry…

The Republic of Ireland is up in arms. Ireland have been eliminated from the 2010 World Cup in South Africa. Thierry Henry is being villified and labelled a cheater. The reason being that his illegal handling of the ball led directly to the scrappy goal that eliminates Ireland from World Cup qualification. It’s an injustice, certainly; but football is full of such injustices.

It’s harsh on Irish football, without doubt. But the backlash against Henry seems a bit excessive.

He’s NOT a cheater, of course; across the span of a brilliant career, Thierry Henry has exemplified what is, in football, a great rarity – a top-class player who also happens to be a gentleman, with class and sophistication, dignity in his game, and sportsmanship. The fact that he handled the ball – and he clearly did – was most likely the reflexive action of a player under pressure. In the dying moments of a vital World Cup qualifier, a great many desperate strikers might handle the ball – instinctively, rather than in any kind of thought-out way. Players do it all the time.

The difference is that, nine times out of ten, they’d be red-carded and the resulting goal would be disallowed. The fact that Henry’s violation wasn’t spotted, and that the goal stood, was not the fault of the player, but of the incompetent officials. It’s the same principle as a player committing a foul or a violent tackle: every player does it, but they generally don’t get away of it.

It’s certainly an unfortunate situation for the Republic of Ireland – just as it was for England in ‘86 when Maradona and God slam-dunked the ball into England’s net to eliminate them from the competition. The difference, I think, is that Maradona clearly handled that ball with full intent and premeditation; whereas Henry, I think, reacted instinctively.

The offended party are calling for the game to be replayed; clearly they have a good case for that. If FIFA does capitulate, however, and allow for a rematch, one wonders if it’ll set a new precedent for future high-profile games. The idea of replaying matches that have been undermined by invalid refereeing could open a pandora’s box, in which all kinds of games might be replayed on the basis of everything from offside goals being allowed, penalties not being given, etc. While that would be very interesting, it’d also be infeasible on a logistical level.

Could you imagine a World Cup Final having to be replayed and the original winning side then losing the rematch?

Much more feasible – and many would say, long overdue – would be the incorporation of pitch-side monitors and screens with replay options for officials to double-check their decisions. With all the extraordinary amounts of money in the football industry, what would be the hold up?

In the meantime, if the Ireland/France score stands and the Irish don’t progress to the South Africa games, Thierry Henry will probably be a hated figure in Ireland for the next couple of decades…

Hitler’s House, Ruby’s Fedora, Autopsy Photographs, More Contrived X-Factor Hype, and I’m (Not) A Celebrity (anymore)… Please Put Me On TV. Plus Um-Bongo, Um-Bongo, they drink it in the Congo…

It’s always extraordinary the kind of things people put up for sale (as well as the kinds of things people actually BUY); e-bay is full of such strange transactions. Everything from pencils to faecies. Uri Gellar, allegedly, bought a house once belonging to Elvis Presley off e-bay. But, on that subject, a house once belonging to Adolf Hitler is presently for sale in Austria for 1.2 million pieces of wad. Now, who’s going to want to live in that place? Maybe Nick Griffin could buy it as a holiday home…

Another strange, and somewhat morbid, item going up for sale recently was the fedora hat worn by Jack Ruby when he shot Lee Harvey Oswald. Again, who would want it? Other than some gun-toting cowboy all in favour of executing innocent patsies on live televison?

Lee Harvey Oswald’s autopsy photographs have been in the public domain for some time, and make for grim viewing, as do all such photographs. And there are rumours now that a high-resolution photograph of Michael Jackson’s autopsy is being passed around TV execs. in Hollywood, having originated allegedly from a police officer. The picture is said to not show Michael Jackson in a flattering light. I, for one, hope the picture never sees the light of day. I have always hated this morbid penchant people have for displaying or viewing dead celebrities, and personally have zero interest in seeing such unflattering images of people in the public domain.

In some ways, it seems like a natural extension of our society’s epidemic interest in seeing a variety of unflattering photographs of celebrities whenever possible – glossy mags make their entire profit out of playing to the bitch factor; any chance to see Angelina Jolie having a bad hair day, or someone or another wearing the wrong dress, or Amy Winehouse looking unwell. It seems a logical follow-through to subject the celebrity in question to the next level of public degradation – the death photo.

To my mind, it robs the person in question of their final dignity. It was disgusting when such pictures of Anna Nicole Smith were allowed to go public – how nice for her daughter to one day have to stumble upon those pictures – and it would be just as bad for Michael Jackson to be subjected to the same indignity.

The nation’s obsession with reality TV shows no signs of abating, with the annual onset of endless, incessant talk of The X-Factor, and now ‘I’m (not really) A Celebrity… Get Me Out of Here (i.e: ‘Get Me In Here, Please; My Career’s Dying’).

What’s with all the outrage over Simon Cowell pushing a half-decent female singer onto the guilotine in order to increase the chances for those Irish twats (I mean, twins)? The whole thing is a cynical, tactical, premeditated enterprise. It has been since the beginning. The moment those kids stepped onto the stage for their first audition, it was evident to all that they’re destined to be massive pop-stars (this country loves shit music and glossy haircuts), and a massive money-spinner for Simon Cowell, Louis Walsh, and The X-Factor. Trust me – they’ll be as big as Boyzone or Westlife. They will be around forever.

The show is not about who can sing the best, or who has the best tecnhique or even the most charisma – it is, plain and simple. about who is the most commerically viable; the easiest to market to either teenage girls or middle-aged women oohing and aaahing at the cute factor. They won’t win the competition itself, because the producers aren’t going to be that obvious about it – but they’ll be kept in it for long enough to maximise their exposure in preparation for the commencement of their glittering careers. Also, they look a lot like Bros.

As for that dead-in-the-water ITV offering in the reality-TV arena, this year’s prospective line-up of Z-list ‘celebrities’ is looking like the worst haul yet. Six or seven years of this ’star’-making, career-reviving, RSPCA-eluding nonsense and the only actual characters of any kind of calibre that they’ve managed to boast are John Lydon, George Takei and David Guest (let’s be fair to David Guest – anyone who was married to Liza Minelli has a high quota of credentials, just by default). There is NOTHING remotely good to be said about this show. And, frankly, any show that is responsible for the creation that monstrous entity known as Jordan-and-Peter should be condemned the deepest fires of Hades for all time to come.

So, right on queue anyway, we now have a new line-up of non-entities that I’ve never heard of, who’re going to despoil the Austrialian jungle, murder and munch a whole selection of living creatures, and dominate both ITV schedules and newspaper and radio coverage for the next month. And Sam Fox. Yay.

It will, of course, get good viewing figures; but this is only because half the country’s obese arses are stuck to their sofas.

A survey conducted by Waitrose has revealed aniseed balls to be the nation’s favourite childhood sweets. Aniseed balls were HORRIBLE. I didn’t know ANY child who liked those vile things. No, the best sweets were those flying saucer thingys. And maybe those strawberry lace thingys. Definitely not jaw-breakers (it’s no use crying about it when your teeth break – the clue’s in the NAME, Sherlock). Waitrose say they’re planning to stock them again – aniseed balls, that is. While we’re on the subject of bringing back favourite childhood products from the mists of our past; what the hell happened to Um-Bongo? You know, that drink all those cartoon animals were always singing about? They used to drink in the Congo, apparently.

I met someone from the Democratic Republic of Congo, and, no, he’d never heard of ‘Um-Bongo’. False advertising, that. He actually got quite offended by my repeated insistance than ‘they drink it in the Congo’. Also, I’ve been informed that African jungle animals generally don’t purchase fruit drinks anyway. And, also, that they don’t sing.

And also what happened to Lilt? Is that still on sale? I was talking to my little sister the other day and I discovered, to my dismay, that TRIO doesn’t exist anymore. You know, them chocolates with the little girl shouting with the massive mouth?

No Trio, no Um-Bongo, no Lilt. What is the world coming to? Next you’ll be telling me there’s no Woolworths anymore…

Halloween, Guy Faux, Michael Jackson’s This Is It, Victimised Goths, and Farcical Afghan Elections…

Halloween has come and gone, and Bonfire Night is imminent. I will never entirely understand our fascination with blowing things up in the sky and gleefully pointing at all the colours. When all the smoke and fire has cleared, you’re left standing around in the cold, wondering how it was worth the money and bother. And if you’ve got dogs, it’s a nightmare; every November 31st it’s like the apocalypse has come, as far as our canine friends are concerned. Every explosion, every bang, presages imminent doom. Babies, as it happens, aren’t too thrilled with it either.

And why must we yearly celebrate the capture and torturous murder of that Guy Faux fella, when all he was trying to do was blow up a corrupt Parliament? Um, I think I’d better leave it there…

Halloween, on the other hand, I’ve warmed to belatedly. For all the cynical scoffing at our inheriting of an American commercial tradition, this passed Halloween night was actually alright, round my neck of the woods. There were no feral teenagers pelting doors with eggs or smashing up cars wearing Scream masks. But there were a handful of really sweet children, aged between about four and ten, knocking on doors and indulging in trick-or-treating of the less monstrous variety. It actually felt like an echo of a more innocent day, if there is any such thing; a brief window of innocuous and good-spirited festivity for the benefit of children, in defiance of all the ill signs of the times. Parents allowing their children to trick-or-treat their neighbourhoods, unconcerned that every other resident might be a paedophile or terrorist waiting to snatch their sweet-seeking visitors; and kids, in the meantime, perfectly able to do their business all polite and courteous, without resorting toswearing, threats or egg-pelting.

Or maybe it was just our neighbourhood; maybe these specific children in this specific area have just been well-raised and taught politeness and courtesy. Maybe everywhere else the car-alarms were going off, windows were being smashed, and the dark side was in full dominion.

But it made me think how ill a society must be in which community spirit is non-existent and the innocent observance of inoffensive traditions is almost entirely being consigned to the past; and in which children are generally considered to be unsafe, their freedoms thus curtailed more and more.

It’s just a shame that we forgot what night it was, and therefore were sorely lacking in the sweets department. The five year-old girl in the witch costume was NOT overly impressed with the custard-creams and Wotsits, it has to be said.

And, while we’re on the subject, we should bring back Christmas carolling too.

Sticking with Messianic-based commercialism, I can report that the Michael Jackson movie, ‘This Is It’, is not the purely cynical cash-in that I thought it was going to be. The film is actually a compelling experience on several fronts, sometimes moving. What’ll really strike you is how good Michael Jackson’s vocals still were at this point; his voice hadn’t diminished or weakened at all. Watching him reviving songs like the thirty-year-old ‘Human Nature’, the nineties-era ‘Jam’, orthe forty-year-old Jackson Five classic ‘I Want You Back’, he sounded just like he did ten, twenty, thirty years ago. It’s also fascinating to see the preparation that was going into his London performances, the sheer scale of it, and all the new ideas and concepts that were being incorporated (new footage to ‘Thriller’ and even new words for the Vincent Price bit, new film footage for ‘Earth Song’, and new black-and-white movie montages for ‘Smooth Criminal’, including Michael Jackson being put into the classic Rita Hayworth glove-strip sequence from ‘Gilda’).

A testament to what might’ve been, and was going to be. And to a creative genius who thoroughly deserves the accolade of being the greatest performer of all time; there certainly have been better musicians, better songwriters, and even better singers, than Jackson over the years, but there is no one who could outperform him or put on a better show. And no, he doesn’t look weak or unwell at any point during these recordings.

What also came across very strongly in the footage was the deconstruction of decades of media villainisation and mythmaking and the previously unexposed reality of Michael Jackson as a well-meaning, gentle-spirited individual, shy and maybe sometimes a bit awkward, but appreciative of his crew and colleagues and entirely courteous in his behaviour (I lose count of how many times he says “God bless you” to people). And also of the consummate proffesional, with a clear vision for every element of his show. Poignantly, he also comes across as being genuinely excited about his comeback, about performing on stage again and getting back to his real platform as an entertainer and performer, not his over-publicised life as some weird millionaire recluse or celebrity frankenstein. This enthusiasm becomes child-like at times, but is never anything less than endearing, particularly watching him return to old favourites like ‘Wanna Be Starting Something’ and ‘Man In the Mirror’.

Whether future posthomous releases of whatever kind are on the horizon or not, this particular collection of footage acts as a fitting tribute to a performance master, and a bittersweet document of his last days.

That renowned spirit medium, Derek Akora, meanwhile, is imminently to try to make contact with the spirit of MJ in the afterlife. Frankly, one wonders why it’s been left for so long; some medium or another has usually made contact with the departed celebrity within mere  weeks of their demise (as I recall, just a few months ago, Jade Goody was channelled by some obscure medium within about a fortnight of her passing away). Here’s to hoping that Michael Jackson will inform Mr Akora that he has embarked on a whirlwind love affair with Anna Nicole Smith, jammed with Louis Armstrong on heavenly marijuana, and been to dinner with Gandhi, Jesus, Malcolm-X, and Cicero…

All evidence suggests that Afghanistan right now could use a Gandhi of its own (or a Jesus or Cicero, for that matter). It really didn’t come as that much of a surprise that the Afghan elections were riddled with corruption and illegitmacy. As has been said in these pages months ago; the functioning of democracy in Afghanistan is, in some ways, at present, an almost empty vase, in a country where women are broadly still treated like third-class citizens; where, in fact, an actual law has been passed allowing men to ’starve their wives’ if they refuse to have sex. Where a reputed eight out of ten women still suffer regular violence, and where eighty percent of women are illiterate, having been long excluded from educational opportunities. A country that is still being undermined by the Taliban, and which still has – even outside of the Taliban – tribal, sexist, and unmodern attitudes.

Invading Afghanistan wasn’t a solution to anything; merely a starting point – at best. At worst, an endless and costly exercise in futility, though optimism would be the most honourable course now. But Afghanistan, even more so than Iraq (which was at least a fairly modernised country before 2003), is going to take a long time to evolve beyond its old-world culture. Whether that means foreign troops should be there for a long time too is another matter, but such deep-rooted and long-lasting attitudes and dynamics can’t be neutralised by military activity, nor even by democracy, as lately evidenced. What’s needed is an evolution of its lesser cultural follies; and that can only happen organically, and will, in all likelihood, take at least a generation.

A viscious, evil attack on a woman this week has been widely reported. Attacks, of course, happen all the time in our cities, because we live side-by-side with a sub-culture of diminished intelligence and fast-degrading morality, which is percolating particularly among the presently adoloscent generation. But this woman, in particular, was demonstrably singled out for being dressed a certain way or having a certain look – she was a Goth; and there was nothing incidental or random about it. There was anoter attack of a similar nature about a year ago, against a younger woman who was also a Goth, and this too got quite a lot of attention in the newspapers, if only for a day or two (people stop caring very quickly).

The question of what it is exactly about Goths that make them a target yields a fairly quick and easy answer; they look and dress different to the norm (the norm being rotweiler-faced yobs or chavs, presumably), they are self-expressionists and non-conformists, and they follow a minority, non-mainstream culture. That’s all the reason that feral, base, street-prowlers from the lower end of the gene pool need to attack someone in the nastiest manner. It’s quite simply a transference of the most basic bullying principle from the playground to the streets – single out and torment the weirdo, or the different-looking one, or the fatty or the school’s sole Asian kid or Jew, etc.

We can, as a society, cite all kinds of (entirely valid) marks of our modern enlightenment, and of the progress of our cultures over the passed fifty years or so; but there are still infectious underclasses of minority-hating brutes populating our cities and societies. People who instinctively see The Other as someone to be hated, feared, taunted, degraded, humiliated, and even assaulted. And that Other can be practically anyone; a Goth, an immigrant, a gay man, a Muslim woman with her face covered, or just someone wearing the wrong hat.

Personally, I’d much rather populate my world with Goths and as many other counter-culturalists as I could find than with chavs, thugs or morons…

The Cold Truth

The clocks have gone back another hour, it’s getting darker, and wetter, and colder by the layer, and porridge is back on the menu.

This unfortunately also means that if you work night shits, you won’t get to see daylight again for a very long time.

I already have burns on my hands from a hot casserole dish full of Irish stew. And for some reason, I subconsciously stocked up on light bulbs. You never know…

Drinking port from an old jam jar in front of the radiating, homely warmth of a fan oven. A time for quiet contemplation and eating so much meat that you have a big hairy black shit in the garden, amongst the foxes and wolves.

Halloween night was spent hiding in my front room with all the lights off whilst children dressed as Satan and death rung the door bell and tried to nick my BMX all night.

That fucking door bell with its novelty tune that you can’t bloody change. Very funny, I already pay you silly rent every month, why do I have to put up with this ding-a-ling, piddley-pong, around we go, WAHEY! bollocks every time some total stranger comes round at eight in the morning to stand on a stool and use the light from his mobile phone to illuminate the electricity meter in the hall way, while I stand there in my dressing gown with hair like a ginger Don King staring at them until they leave. Fuck sake!

And I have just discovered that over the past summer, my lovely, sensible cardigans have been a nourishing feast for a host of moths, and now look like I stole them from a tramp. Screw the moths, I’m wearing them anyway. I even filled my wardrobe and drawers (no, not my pants) with moth balls. It seems all this did was make my room smell like petrol and make my clothes smell like museum exhibits. If anyone knows a clothes moth execution method that actually works, please let me in on it, I’m running low on air rifle pellets.

Beware of dog shit hidden under the dead leaves.
Big hairy black ones.
HJ
cold truth

Just because…

it made me smile on this cold, grey day.Enjoy..

Ebrahim – D’angelo, Lupe Fiasco, Joni Mitchell

Ebrahim – Crystal Waters vs. Lucy Pearl

For more info on Ebrahim check our his Myspace – http://myspace.com/eebmusic – or follow him on Twitter -http://twitter.com/eebsofresh – or check out his Facebbok – http://facebook.com/eebmusic.

New York State of Mind

I’m off to New York next year and i’ve not been feeling any sort of excitment as i’m not the biggest fan of the USA. Don’t get it twisted i don’t hate the USA but i can name a bunch of countries i’d like to go to before i venture across the pond. However, i watched the new video for Jay-Z and Alicia Key’s Empire State of Mind today and i have to admit i’m slightly excited. Enjoy it and get alittle excited for me too.