Blair Shows No Remorse, Bin Laden Augurs More Conflict, Jedward Achieve Success, Alex Reid Wins BB, and Music Continues to Die Slow and Painful Death…

Osama bin Laden prophesies more conflict. Alex Reid wins Big Brother. Jedward hit No.2 in the singles charts. It’s the end of civilisation as we know it. Run for the hills; get down to your private bunkers, and forsake this mad, doomed world. The four horsemen are galloping into town, even as we speak…

Alexandra Burke is bad enough, but how in Hades did those Evil Irish Twins convince people to BUY their track? I’ll admit to a soft spot for the original Vanilla Ice version of ‘Ice, Ice Baby’, but this new version (which monstrously includes elements of the original original Queen song) is the most tasteless, talentless piece of bantha fodder this side of Jabba the Hutt’s faecal discharges. Clearly the dregs of the music buying population are at their all-time lowest standard of judgement; Cheryl Cole could fart into an amplifier and it’d be guaranteed the No.1 spot, at this point.

And have all these people failed to notice that the Evil Irish Twins don’t actually DO anything on the track, other than jump up and down a lot? Vanilla Ice is the only half-talented thing in the entire affair.

As for Cowell’s cynical shepherding together of ‘artists’ (translation: a collection of X-Factor contestants, plus the senile and overrated Rod Stewart) to rape and pillage a classic piece of music (specifically, REM’s ‘Everybody Hurts’)… I’ll bite my tongue on that one, on account of it being a fundraiser for the Haitian relief efforts.

So, anyway, that covers the ongoing slow and painful death of the music industry…

Popular culture in general continues to march to the rythmless beat of Katie Price’s drum. Quite why Alex Reid won Big Brother is something of a mystery (all he did, as far as I could see, was get naked a lot and sound stupid); but the great Jordan, never one to miss a trick or a profit, promptly married him (in a quick and ‘quiet’ ceremony – which, needless to say, also included photographers from a celebrity magazine). That bandwagon got to her so phenomenally quickly, it must have been drawn by the same lions that drew Mark Antony’s chariot.

Seriously, Katie Price and Simon Cowell should surely join forces; they’d be unstoppable. They could own and run the entire mainstream media within a year, tops.

As for the Iraq inquiry and Tony Blair’s recent grilling; why is everyone so shocked or disappointed that he didn’t ‘apologise’ for the invasion of Iraq? Why would he apologise for something he felt was the right decision? And, regardless of whether he was right or wrong, why would you WANT someone to apologise for doing what they BELIEVED to be right?

Another very popular world figure is has just recently released his latest video message to the West. Bin Laden has indicated that there’ll be no peace until there is first peace in Palestine. There’ll be no peace, then…

Well, not unless someone goes back through time to the First World War and prevents the British government from stealing someone’s country and giving it to someone else – and all on the basis of a few Biblical passages. Though, of course, we wouldn’t want to get mixed up in temporal complications and predestination paradoxes. Anyone who watches Star Trek knows full well that it’s unwise to mess with the past.

Of course, given considerable evidence that Osama bin Laden has actually been dead for about seven years, one has to wonder who that fellow is who keeps recording these messages.

If Bin Laden truly is long deceased, then the real threat to our civilisation remains Simon Cowell and Katie Price…

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KILLING IN THE NAME OF…

Viva Facebook and God bless Rage Against the Machine!

RATM are the greatest rap/rock combo in the world and one of the greatest bands, full-stop, of the past twenty years. Joe Bloggs is a karaoke singer from a TV talent show. If RATM make Christmas No.1 with ‘Killing in the Name Of’ (one of the most unchristmasy songs of all time), it will represent a glorious coup for the dying world of real music and a timely black-eye for Emperor Cowell and his empire of brainwashing tedium. It will also be the second most faith-affirming demonstration of the power of the Internet since Obama’s presidential victory.

And yet, even now, we have Cowell and Cheryl Cole coming out and objecting to the Facebook campaign, like disgruntled royalty complaining about the peasants. The pot’s got nothing over the kettle when Simon Cowell has the nerve to come out and compare the RATM Vs Joe Karaoke contest to ‘David and Goliath’ – and actually suggesting that ‘The X-Factor’ is DAVID in the analogy!

Right – so the billionaire mass media mogul and corporate dictator is complaining that his TV-manufactured product is being treated ‘unfairly’ because thousands of people are supporting a hard-working band of proper musicians who’ve worked their trade for sixteen years and built up a proper fanbase? Sounds about right. Seriously, if there was a Nobel Prize for Hypocrisy, then Simon Cowell would be a dead cert. He practically OWNS the music industry in this country; and THAT’S why he’s upset – no dictator is happy when the people mobilise and try to take back some power.

As for Cheryl Cole – a woman who makes Danni Minogue seem prodigiously talented – what business does she have publicly criticising the Facebook campaign? If  I were a talentless piece of eye-candy who’d somehow become filthy rich despite having no merits, I would be a bit more humble about it and just keep quiet, rather than whining about the competition. I’m sorry, but when mega-rich celebrities complain about the actions of real musicians and real music-lovers, I want to reach for the sick bucket.

At a time when musicians and musicianship are being crowded out of the marketplace by this vast corporation of television karaoke, there’s something very satisfying about the prospect of a band as great as Rage Against the Machine scoring a victory for the art over the mass media manipulation and hype. The days seem to be long gone of artists making meteoric impacts, shaking the industry or inciting musical and cultural revolutions (the Bob Dylans, Sex Pistols’, Public Enemy’s and Nirvana’s, etc); and if the X-Factor style of chart dictatorship continues, then such revelatory moments or recordings will be wholly consigned to history. But if ‘Killing in the Name Of’ outsells Mighty Joe Young, then the signs are good that hope is not lost. Rage Against the Machine are the very antithesis of anything the X-Factor might roll off its factory line, and so the choice of both artist and track are entirely fitting.

The dull, dead-eyed automatons churned out by the X-Factor have claimed the Christmas No.1 spot for the passed four years in a row. Let’s all do a favour for music and make Rage Against the Machine this year’s chart-toppers – and it’ll be a Christmas to remember. It’ll also make Jesus very happy. He was well into RATM. He’d also appreciate the somewhat Messianic nature of RATM’s potential sabotage of the corporate machine at this time of year, as Christ was all for revolt.

Merry Christmas, everyone.

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